Once again G.A.S. has gotten the better of me, and thanks to the “facilitator” extraordinaire: Brandon at Willcutt’s Guitars, it came in the form of a McCarty Burst DGT model… behold:
I’m a traditionalist by nature, but these dang DGTs have sort of “chosen me”, if you know what I mean. They are 90% of what I play in my 3 piece band, and for good reason. We cover everything from Stray Cats to Elvis to AC/DC to David Wilcox to ZZ Top to Stones to Black Crowes to country… and the versatility of the DGT with extraordinary tone can’t be denied. The 3/4 coil taps are super useful and, again, toneful! I use the whammy bar in some form or another on just about every song, and the DGT Trem just stays perfectly in tune… even after some sporadic dive bombing. Heck, I don’t even bother to lube the nut slots! So anyway, I have a couple of all “hog” DGT Standards that I use, but my hankering for the “‘Burst” of the DGT world led me to this spectacular McCarty Burst 10 top DGT.
Notice the beautiful mahogany grain… PRS seems to get incredible, and incredibly resonant, wood! I saw a youtube clip of them randomly pulling neck blanks at the PRS factory – when they tapped them, the mahogany neck blanks rang like friggin’ marimbas!!! A pure musical note rang out! Now let me pull you aside here and say… “I am NOT a PRS guy!” by nature. Plus, I don’t work for the company or have a dealership! I’m not into “lawyer guitars” (apologies to any lawyers who may be reading this blog entry!:-) … as I said before, the DGT has sort of chosen me. I think that happens when you invest a lot of psychic energy in something… like being a student of the guitar, for example. I am playing and practicing a lot right now, and these guitars have come to the fore. I remember hearing the story about Stevie Ray that, when he saw the Strat that would become his #1, in a shop… he KNEW – without even touching it. Now, I do not put myself in the same company as Stevie (try working “Scuttle Buttin'” up to speed – I’m currently trying, me and my ol’ metronome – if you want to see where his technique was at!), but “as above, so below”. But I digress… So maybe I’ve found my “‘Burst” with a PRS headstock?! I should also mention that I did buy one of the rare, maple necked DGTs (for sale on my site as of this writing), but even though it sounded great and played great, it was a little too “blingy” for me… JR calls it the Blingster!
Now before you start recommending an “intervention” for me, let me say that I still love Gibsons and Fenders… and Gretsches, for sure… and then there’s that old Eastpointe Reverend that I just got – and am re-visiting after inexplicably selling the last one I had (a great slide and jangly “Stones” geetar)… and obviously Gustavsson guitars… as well as those high end boo teek guitars like Suhr and Anderson and Grosh and Baker and McNaught and Underwood… and is there anything better than a good Telecaster??? A GOOD GUITAR IS A GOOD GUITAR! It just needs you to play it… here are a few from my past…
Notice the “un-tarted up” Gretsch Billy Bo in the second row… fated to become the “Blue Hugh Music” guitar after a makeover by Dave Connery of Connery’s Custom Paint!