A Tale of Two Wraptails or a Wraptail Tale

Two ’55 Series Gibson Les Paul Wraptail Customs… relaxin’

NO… don’t “adjust your set” … as they used to say… These are two eerily similar guitars from 2011. It all started when I purchased the “’55 Series Les Paul Custom Wraptail” from Wildwood guitars in 2011 (oh, thank God it’s not a 2012 with a 2 piece lam fingerboard!!! Well I have news for you… I have a LP from 2012 … CC#3 “The Babe”… and it KILLS!… there are no rules!…but I digress…). Well, this ’55 Wraptail guitar “has the magic”! It went back and forth between my pal Pete F. and I until, when the music stopped again, it had landed back with me.

’55 wraptails close up and personal

So, to pick up the thread, next thing I know, Pete has tracked down a second Wraptail at a music store in USA… it’s used… and it’s ostensibly the same DNA as the beast that I originally bought. Well, Pete was scooting off to his day job at the Juno Awards (yes, I do sometimes rub shoulders with the rich and famous – or in this case, not so rich and only moderately famous… but rich in spirit and famous amongst his peeps) ( … did I save that???), and since I owed Mr. F a large sum of money, I purchased the guitar for him, took delivery, and began my mad scientist experiments.

Back(s) In Black

You know, you can’t really isolate a single factor and say that’s why a guitar is magical. Some are and some aren’t. It may be somewhat in the ear of the beholder – it’s a tough thing to analyze. Anywho, getting the two geetars together, Pete’s is a bit heavier (8.7lbs vs 8.3lbs) and they both sounded 90% similar and 10% different – if that makes sense. The Burstbucker 1 and 2 pickups just sound killer (another prejudice trashed!) – spec-ing out around 8.2k for the bridge pickup and around 7.55k for the neck (similar in both guitars). Initially, Pete’s guitar lacked a certain “immediacy” and “presence” that mine had. Well, I had taken the covers off my pickups – that not only gets the gold plated covers (gold covers=loss of tone=evil) out of the way, it also allows one to lower the screws in order to bring the slug coil closer to the strings and more even with the screw coil. This is a fairly strong modifier of the tone – at least on the subtle level that we are listening here. By the way, there is speculation amongst the Tone Police that the worst effect on a pickup’s tone can come from the gold plating on the covers… just sayin’. With permission, I removed the covers on Pete’s guitar and set up the pickups the same as mine – better. My wound strings seemed to have more twang and spank… “I know, I’ll put the same strings on Pete’s guitar as I have on mine!” Again, the two guitars moved closer together in tone… more spank in the low end from Pete’s guitar with the perky Cobalt strings. I should say that some of the subtle character difference between the two guitars did remain – Pete’s guitar had a tiny bit more sizzle in the high end and a little more response in the low end. My guitar had a tiny bit more in the mids and upper mids. But basically, these guitars are now 98.5% similar… or was that 97.9%… or 99.2%? We’ll have to check these two out at the next Tonefest!!!

Not exactly consecutive serial #s!





Have You Heard The “Gristle King”?

There are some guitar players who just inspire one to pick up the guitar and play… and then there are the kind who make one say: “why do I even bother?”. Jeeze, I don’t want to sound negative, but Greg Koch is one of the second kind… he’s just a “savant” – and he is not only a technical master, he plays with humour, and musicality! Greg Koch is “on the radar” alot these days – perhaps because, other than being a “Fender Official Clinician”, he’s just done a whole whack of on-line guitar demo videos for Wildwood Guitars… and a bunch of shows with Joe Bonamassa. You just have to watch this youtube video… the Led Zeppelin stuff is hilarious. Mercy! The sounds Mr. Koch gets out of his Fender Telecaster! (he unabashedly refers to himself as “Greg Cock” – rather than taking  the easy way out and pronouncing it like it’s spelled… “Koch”). Just check this out…

Oh my!!! Steve Vai hailed Koch as a genius… I love that Tele tone! Really edgey and nasty. Certainly not “thin” – a potential pitfall for those of us who fancy the first production solid body. When Koch spanks the plank you get the feeling that there’s nothing he can’t do – and on a Tele too!!! What’s with that? If you’ve never thought about a “B Bender”, Koch might inspire you to go in that direction. Recently, I’ve been spending at least a 1/2 hour to an hour every day just working on my banjo rolls – pick and 2 fingers – with the logic that, while perhaps not immediately applicable to my playing, it can’t hurt. It will certainly increase the facility of my right hand – even while playing Albert King licks. I think Greg Koch is a testament to that theory. He’s got a bitchin’ right hand roll that he seems to have incorporated heavily into much of what he plays.

I encourage you to check out Greg Koch futher. I find him to be such a musical player – even though he has a ton of technique. Oh ya… I love what Greg Koch says about Eric Clapton… and I am paraphrasing here: “even if Clapton hasn’t learned a new lick since 1979, his foundation as a player is so musical – look at the Beano album and Cream and the Dominoes – that he can still play a few notes and it’s better than someone who can play 32nd notes with precision…”. Given what Koch is capable of, I have to respect his opinion as an educated opinion with alot of weight.