Five years ago, I never would have predicted this… a Strat was the only geetar that found it’s way around my neck! Now I can hardly tolerate them! (OK, Strats are great guitars, classic guitars… but I’m going for a sense of the dramatic here!). What were you thinking, Leo!? The addictive and cool thing about these Lesters, is that there’s no “Les Paul sound”. They are all different. And that’s the magic! Right now I have a CC#3 “Babe” with a Bigsby… and then a ’55 series Wraptail all mahogany Custom with humbuckers… and a 1 pickup Jimmy Wallace Les Paul (oh, dang! Pete’s got that one now!). Anyway, for me, it’s the humbucker guitars that turn my crank, and I am just starting to feel shameless about “converting” older models to ‘buckers. At least I’m currently confined to “rescuing” guitars with “issues”… rather than assaulting “cherry” vintage instruments (but that could change!). There’s something about the old growth 50s wood that makes a great starting point for a killer guitar – although there are no rules – my ’55 wraptail is a couple of years old and it sounds as good as anything – new or old!
So the latest project (and I might add that by tomorrow, I will probably have a 2nd vintage project in the works) is a ’52 first year Les Paul that I got with a bad refin and a repaired headstock break (known as the “Gibson smile” due to the shape the break line most often takes) – a perfect candidate for a “Conversion”, methinks! Behold…
Now you should understand that I am currently crazy enough that I’ll probably buy a few early 60s SGs – just for their glorious PAF pickups! I have 1 set left for one more LP… and after that… I’ll need more! But I digress. Anyway, the above pictured “piece of work” was beautifully converted by the luthier extraordinaire, Mr. Russ “Rusty” L. He kept the neck angle low enough when he reset the neck that the guitar just “has the magic” now – and rings like the proverbial “bell” that all guitar players speak of. Here’s a picture after frets, neck reset, new bridge and stop tailpiece, plus a route for “them” true toned vintage Gibson pickups!
I stripped the finish myself – great on the front, not so great on the back when I ran out of patience and energy! Another thing that’s cool about this 1952 Lester, is that it’s an “export” model from that year (’52s had NO serial #, by the way) – we find a “Made In The USA” stamp engraved in the wood on the back of the headstock… what we have here is a Canadian guitar, eh!!! Cool!
So where are we “at” with this beast? Well, the most excellent Kim Lafleur at Historic Makeovers has taken our mongrel into his care for a complete restoration to a distressed “Gold Top” – probably very much like the guitar was when it was 20 years old. Kim has done work for the likes of Joe Bonamassa … as well mere mortals. Here’s a pic of one that Kim did for our pal Steve Rigby in Sunburst. Close up, it looks like the “real deal” – a 1959 Gibson Les Paul – if you don’t have $300,000, this one makes a great substitute. Even if you do have $300,000, this one STILL makes a great substitute! A great example of Gibson’s second golden age and HM’s great aging and finishing:
My next project is to get an original Gold Top pre-1957. If it has the original finish and is from late 1953 up to 1956, then all I will need to do is route for humbuckers… and possibly do a re-fret… the neck angle and bridge will already be correct. Donations gratefully accepted! 🙂
Sounds like a plan!!!